Backtrack-Free Cursive: A New Script for Joyful English Writing

I discovered that English cursive writing is frustrating because of constant backtracking to dot i's and cross t's, unlike Russian. To fix this, I designed a new single-stroke script based on SmithHand and Cyrillic principles. This approach eliminates the mental queue of pending strokes, making digital and paper writing as fluid and delightful as my native language.
I love writing in cursive, shaping each word in one long stroke. If you grew up learning the Latin alphabet, you likely don’t realize how much joy it sucks out of cursive writing.
- NoGravitas
As a USAian and an Old, I learned the Zaner-Bloser script in school - a cursive script that tries to minimize pen lifts, but still has "backtracks" as this article calls them, for j, i, and x. It uses a lot of the same kind of loops that this script uses, just for the simpler problem of joins. The downside of the Zaner-Bloser system, as well as Palmer and anything that derives from Spencerian cursive, is that when written quickly, the loops can make several letters only distinguishable by context (is that a short 'l', or a long 'e'?), and the handwriting of adults becomes pretty unreadable after leaving school.
Since then, I re-taught myself to write with an Italic hand, which has more "backtracks" (for instance, 'e' is two strokes) and fewer joins (you never join from e, o, r, or any letter with a descender), and while my speed has suffered somewhat, everyone who sees my handwriting compliments it.
If your hand cramps while writing, it is because you are holding the pen too tightly, possibly in order to apply too much pressure. This is something that writing with ball-point pens will cause you to do. If you don't want to use a fountain pen, at least try a liquid ink rollerball.
- JoshTriplett
This is the kind of thing that makes cursive painful to read. The `i` and `j` in this script are harder to quickly lex, and the `t` (especially in the `tt` ligature) with the added loop flourish diverges sufficiently from a standard `t` to make it hard to decipher in running text.
In text, as in code, I prefer to optimize for easy reading rather than faster writing.
- vanderZwan
Huh, I just indirectly learned from this article that the way I write a lower-case "t" in cursive is a Dutch way of doing so (edit: sollniss' comment implies it was a common style in Germany too). A quick search suggests it has been replaced with an English style of "t" in the last decades too.
I wonder if that makes my handwriting harder to read for anyone who isn't Dutch and over 40 years old.
Anyway, just bringing it up because you don't need to lift up your pen to write that kind of "t".
Search for "koordschrift" on https://primarium.info/countries/the-netherlands/ to find the illustration showing how I was taught to write it in the late 80s. It's the letter vaguely shaped like a pine tree.
- kqr
For anyone interested in optimising this further, orthographic (letter-based) cursive shorthand systems are the answer. I personally only know part of the Melin system[1], but there are variants designed for English as the primary language too. (Melin is of course perfectly usable with English also.)
The flow of a cursive shorthand system is unmatched by anything else. I highly recommend learning enougnh to experience it.
(The drawback with more phonetic systems like Gregg is that one has to learn entirely new ways of spelling words. But normal English spelling is so complicated that tradeoff can be worth it for heavy usage. Orthographic systems often also contain phonetic components, but they tend to be optional extensions that improve efficiency, rather than required like with purely phonetic systems.)
- saghm
Using the term "backtracking" feels somewhat confusing, because it seems like most of the "fixed" letters they propose use what I would find more intuitively described as backtracking: having to trace back the exact path used to get to a given point in order to get back to a previous point to start drawing a new mark from. I think I'd be less confused by a term like "annotations" for what they're talking about.
- andreyvit
Wondering how many people are like me and hate writing in cursive.
I stopped using it right after graduating high school (where it was required), never used in drafts after elementary school, and only ever used normal print letters in the university (and also included TeX commands because I was typesetting lecture notes later and was figuring out the optimal command set on the fly).
- red_trumpet
Latin Sütterlin (https://de.wikipedia.org/wiki/Ausgangsschrift#/media/Datei:S...) has an x without backtracking. At first it looks a bit weird with the two loops, but I think they are exaggerated for didactical reasons. If you train a bit you can make it look like an x by making the loops thinner. Put differently, this is the "opposing c's"-method, without lifting the pen between the two c's.
- demetrius
I like writing in cursive, but I don’t see backtracking as a problem. I backtrack quite a lot in Cyrillic, even in Russian, e.g. I always underline ш and write a line over т (which looks like m) to distinguish them (otherwise they look quite similar, see the famous example лишили лилии — you might want to google it if you haven’t seen it yet). I also normally write д as ∂, which breaks the flow.
Belarusian Cyrillic requires more backtracking: we have і, ў, obligatory ё, apostrophes. Never saw it as a problem.